Ocular Octopus looks good, so all the best with the new venture.

Personally, I think things are more complicated than that. Each work of art (though I haltingly apply that to “Hung”) has its own cloud of context hanging around its head and the backstory to why a setting was selected certainly sits in that cloud. Still, I’d say the context of what Detroit has come to mean in this time is hugely powerful, even overpowering, when considering works set in that city, even those set in times prior to Detroit’s slide to decrepitude. Now that we know what’s happened, there will be a sense of foreboding to any story set there historically.